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Week 6 - BioTech + Art

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I have never thought of connecting BioTech with art before since obviously they are two completely different fields. But after watching this week’s videos, I realized that there are actually a lot of examples of the integration of BioTech and art which I have heard of or seen. The professor mentioned a great number of specific cases where artists entered the labs and collaborated with scientists to perform their unique ideas of combining Biotech and art. For example in 2000, the famous glowing rabbit was created in France by transferring green fluorine protein (GFP) gene into the cells of a rabbit.  GFP Bunny by Eduardo Kac Apparently, this glowing creature is not something that could be observed in the nature. Thus, this caused a lot of people’s concerns about outlaws biology experiments and some even compared it with committing a crime. However as Chris Kelty argued, that they are different essentially since “outlaws are outside the law, or before it, and this i...
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Event 1. Tour: Moholy-Nagy: Future Present at LACMA

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Moholy enrolled as a law student ay the University of Budapest in 1913. However, he said that he’s always a painter. Now, he’s known for his various career paths as a pioneering painter, photographer, sculptor, filmmaker as well as graphic, exhibition, and stage designer. Yesterday, my friend went to the first comprehensive exhibition of his work at LACMA and joined a tour listening to his 51 years life story. According to our tour guide Mariana, Moholy’s goal throughout his life was to integrate art, technology, and education for the betterment of humanity. Throughout the tour, I saw a clear transition from expression to abstract and finally to the integration of art and technology. For example, the painting on the left was his first artwork created in 1918. Compared to his later work, his first work is more of expression and figurative. A more clear example is the two works below created on the same piece of canvas. The left now shows a geometric abstraction called Archi...
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